Edward Said’s Orientalism (1978) has justly attracted great respect and attention for its account of Western perceptions and representations of the Orient, but the English-speaking world has for too long been unaware of another classic in the same field which appeared in France only a year later. Alain Grosrichard’s The Sultan’s Court is a fascinating and careful deconstruction of Western accounts of “Oriental despotism” in the seventeenth and eighteenth centuries, focusing particularly on portrayals of the Ottoman Empire and the supposedly enigmatic and opaque structure of the despot’s power and his court of viziers, janissaries, mutes, dwarfs, eunuchs and countless wives.
Drawing on the writings of travelers and philosophers such as Montesquieu, Rousseau and Voltaire, Grosrichard goes further than merely cataloguing their intense fascination with the vortex of capriciousness, violence, cruelty, lust, sexual perversion and slavery which they perceived in the seraglio. Deftly and subtly using a Lacanian psychoanalytic framework, he describes the process as one in which these leading Enlightenment figures were constructing a fantasmatic Other to counterpose to their project of a rationally based society. The Sultan’s Court seeks not to refute the misconceptions but rather to expose the nature of the fantasy and what it can reveal about modern political thought and power relations more generally.
“What Said’s Orientalism achieves in breadth, The Sultan’s Court provides in depth: the precise outline—the elementary formula—of the sexual-political fantasy of ‘Oriental Despotism’ which structures our perception of the Muslim countries from the seventeenth century to our own times, and on to which Western ideology projects its own inconsistencies and repressed traumas. Combining French elegance and clarity of style with the highest conceptual stringency, this immensely readable book demonstrates the extraordinary potential of Lacanian pyschoanalysis for social analysis. A classic of the theory of ideology, to be ranged with the greatest achievements of Adorno, Foucault or Jameson!”
– Slavoj Žižek