Repeating Žižek offers a serious engagement with the ideas and propositions of philosopher Slavoj Žižek. Often subjecting Žižek’s work to a Žižekian analysis, this volume’s contributors consider the possibility (or impossibility) of formalizing Žižek’s ideas into an identifiable philosophical system. They examine his interpretations of Hegel, Plato, and Lacan, outline his debates with Badiou, and evaluate the implications of his analysis of politics and capitalism upon Marxist thought. Other essays focus on Žižek’s approach to Christianity and Islam, his “sloppy” method of reading texts, his relation to current developments in neurobiology, and his theorization of animals. The book ends with an afterword by Žižek in which he analyzes Shakespeare’s and Beckett’s plays in relation to the subject. The contributors do not reach a consensus on defining a Žižekian school of philosophy—perhaps his idiosyncratic and often heterogeneous ideas simply resist synthesis—but even in their repetition of Žižek, they create something new and vital.
Contributors: Henrik Jøker Bjerre, Bruno Bosteels, Agon Hamza, Brian Benjamin Hansen, Adrian Johnston, Katja Kolšek, Adam Kotsko, Catherine Malabou, Benjamin Noys, Geoff Pfeifer, Frank Ruda, Oxana Timofeeva, Samo Tomšič, Gabriel Tupinambá, Fabio Vighi, Gavin Walker, Sead Zimeri, Slavoj Žižek
In 2009 Slavoj Žižek brought together an acclaimed group of intellectuals to discuss the continued relevance of communism. Unexpectedly the conference attracted an audience of over 1,000 people.
The discussion has continued across the world and this book gathers responses from the conference in Seoul. It includes the interventions of regular contributors Alain Badiou and Slavoj Žižek, as well as work from across Asia, notably from Chinese scholar Wang Hui, offering regional perspectives on communism in an era of global economic crisis and political upheaval.
The first volume of The Idea of Communism followed the 2009 London conference called in response to Alain Badiou’s ‘communist hypothesis’, where an all-star cast of radical intellectuals put the idea of communism back on the map.
This volume brings together papers from the subsequent 2011 New York conference organized by Verso and continues this critical discussion, highlighting the philosophical and political importance of the communist idea, in a world of financial and social turmoil.
Contributors include Alain Badiou, Etienne Balibar, Bruno Bosteels, Susan Buck-Morss, Jodi Dean, Adrian Johnston, François Nicolas, Frank Ruda, Emmanuel Terray and Slavoj Žižek.
Do not be afraid, join us, come back! You’ve had your anti-communist fun, and you are pardoned for it—time to get serious once again!
Responding to Alain Badiou’s ‘communist hypothesis’, the leading political philosophers of the Left convened in London in 2009 to take part in a landmark conference to discuss the perpetual, persistent notion that, in a truly emancipated society, all things should be owned in common. This volume brings together their discussions on the philosophical and political import of the communist idea, highlighting both its continuing significance and the need to reconfigure the concept within a world marked by havoc and crisis.
Slavoj Žižek is the most popular and discussed philosopher in the world today. His prolific writings – across philosophy, psychoanalysis, political and social theory, film, music and religion – always engage and provoke. The power of his ideas, the breadth of his references, his capacity for playfulness and confrontation, his willingness to change his mind and his refusal fundamentally to alter his argument – all have worked to build an extraordinary international readership as well as to elicit much critical reaction.
The Žižek Dictionary brings together leading Žižek commentators from across the world to present a companion and guide to Žižekian thought. Each of the 60 short essays examines a key term and, crucially, explores its development across Žižek’s work and how it fits in with other concepts and concerns. The dictionary will prove invaluable both to readers coming to Žižek for the first time and to those already embarked on the Žižekian journey.
This is the first book devoted entirely to exploring Žižek’s peculiar kind of Paulinism. It seeks to provide a full map of the Marxist philosopher’s interpretations of Paul and critically engage with it. As one of several radical leftists of European critical thought, Žižek embraces the legacy of an ancient apostle in fascinating ways. This work considers Žižek’s philosophical and political readings of Paul through the lens of reception history, and argues that through this recent philosophical turn to Paul, notions of the historical and philosophical are reproduced and negotiated anew.
Ole Jakob Løland holds a doctoral degree in Theology from the University of Oslo, Norway. Løland has co-authored books and published articles on the reception history of the Bible and its wider cultural and political function in modern contexts. He serves as a minister in the Lutheran Church of Norway.
The actions, images and stories within films can impact upon the political consciousness of viewers, enabling their audience to imagine ways of resisting the status quo, politically, economically and culturally. But what does political theory have to say about film? Should we explore film theory through a political lens? Why might individuals respond to the political within films?
This book connects the work of eight radical political theorists to eight world-renowned films and shows how the political impact of film on the aesthetic self can lead to the possibility of political resistance. Each chapter considers the work of a core thinker on film, shows its relevance in terms of a specific case study film, then highlights how these films probe political issues in a way that invites viewers to think critically about them, both within the internal logic of the film and in how that might impact externally on the way they live their lives. Examining this dialogue enables Ian Fraser to demonstrate the possibility of a political impact of films on our own consciousness and identity, and that of others.
Pits the psychoanalytic theory of Jacques Lacan against the historicist approach of Michel Foucault to develop a profound critique of historicism.
In Read My Desire, Joan Copjec stages a confrontation between the theories of Jacques Lacan and those of Michel Foucault, protagonists of two powerful modern disciplines—psychoanalysis and historicism. Ordinarily, these modes of thinking only cross paths long enough for historicists to charge psychoanalysis with an indifference to history, but here psychoanalysis, via Lacan, goes on the offensive. Refusing to cede history to the historicists, Copjec makes a case for the superiority of Lacan’s explanation of historical processes and generative principles. Her goal is to inspire a new kind of cultural critique, one that is “literate in desire,” and capable of interpreting what is unsaid in the manifold operations of culture.
The psychoanalytic subject in modern culture and politics.
A collection of essays by theorists in culture and politics. Experts from a variety of fields re-examine the origins of the subject as understood by Descartes, Kant and Hegel, and consider contemporary ideas that revive the subject, including queer theory and national identity.
Introduction by Joan Copjec
1. Subjection and Subjectivation by Etienne Balibar 2. Sex and the Euthanasia of Reason by Joan Copjec 3. Who’s Who? Introducing Multiple Personality by Mikkel Borch-Jacobsen 4. The Phrenology of Spirit by Mladen Dolar 5. Is There a Cause of the Subject? By Slavoj Žižek 6. “Things to Come: A Hysteric’s Guide to the Future Female Subject by Juliet Flower MacCannell 7. “Experimental Desire: Rethinking Queer Subjectivity by Elizabeth Grosz 8. The Role of Gender and the Imperative of Sex by Charles Shepherdson 9. Father, Can’t You See I’m Filming? by Parveen Adams 10. Anxious Nations, Nervous States by Homi K. Bhabha